the most amazing photo ever. I want summer.
Bank-sy… he works in a bank… yeah, it’s one of those mornings.
Cheers,
William - February 14, 2011
To draw is to see.
To draw you must dismantle the human form into charcoal shapes,
Shadows and lines, and examine the present for what it is.
It is not a matter of believing; there is no reliance here on
The memories of faces and movements of bodies you know so well.
These shadows are not the shadows cast on your mother’s visage,
As she read from the book you asked her to repeat night after night.
The model’s feet are not the feet of your friend, crossed
And half-submerged in blue when you sat by the pool
Day after August day, your hair becoming hot to the touch.
The face is not the one you study at night in the bathroom mirror,
Toothbrush in your mouth, as you think about the day’s events and
What it means to be alive:
Back and forth, back and forth, back and forth, twice a day.
The human body cannot be understood as routine, just as
No flower blooms the same twice and runners never take the same steps.
If you think you know, you will not see.
You have been born again, new and clean with charcoal in hand, and now it’s time to
Open your eyes.
Shadow, shadow, line, line.
we read this in poetry today. it’s really long but it’s worth reading, promise!
Listen: there was a goat's head hanging by ropes in a tree.
All night it hung there and sang. And those who heard it
Felt a hurt in their hearts and thought they were hearing
The song of a night bird. They sat up in their beds, and then
They lay back down again. In the night wind, the goat's head
Swayed back and forth, and from far off it shone faintly
The way the moonlight shone on the train track miles away
Beside which the goat's headless body lay. Some boys
Had hacked its head off. It was harder work than they had imagined.
The goat cried like a man and struggled hard. But they
Finished the job. They hung the bleeding head by the school
And then ran off into the darkness that seems to hide everything.
The head hung in the tree. The body lay by the tracks.
The head called to the body. The body to the head.
They missed each other. The missing grew large between them,
Until it pulled the heart right out of the body, until
The drawn heart flew toward the head, flew as a bird flies
Back to its cage and the familiar perch from which it trills.
Then the heart sang in the head, softly at first and then louder,
Sang long and low until the morning light came up over
The school and over the tree, and then the singing stopped....
The goat had belonged to a small girl. She named
The goat Broken Thorn Sweet Blackberry, named it after
The night's bush of stars, because the goat's silky hair
Was dark as well water, because it had eyes like wild fruit.
The girl lived near a high railroad track. At night
She heard the trains passing, the sweet sound of the train's horn
Pouring softly over her bed, and each morning she woke
To give the bleating goat his pail of warm milk. She sang
Him songs about girls with ropes and cooks in boats.
She brushed him with a stiff brush. She dreamed daily
That he grew bigger, and he did. She thought her dreaming
Made it so. But one night the girl didn't hear the train's horn,
And the next morning she woke to an empty yard. The goat
Was gone. Everything looked strange. It was as if a storm
Had passed through while she slept, wind and stones, rain
Stripping the branches of fruit. She knew that someone
Had stolen the goat and that he had come to harm. She called
To him. All morning and into the afternoon, she called
And called. She walked and walked. In her chest a bad feeling
Like the feeling of the stones gouging the soft undersides
Of her bare feet. Then somebody found the goat's body
By the high tracks, the flies already filling their soft bottles
At the goat's torn neck. Then somebody found the head
Hanging in a tree by the school. They hurried to take
These things away so that the girl would not see them.
They hurried to raise money to buy the girl another goat.
They hurried to find the boys who had done this, to hear
Them say it was a joke, a joke, it was nothing but a joke....
But listen: here is the point. The boys thought to have
Their fun and be done with it. It was harder work than they
Had imagined, this silly sacrifice, but they finished the job,
Whistling as they washed their large hands in the dark.
What they didn't know was that the goat's head was already
Singing behind them in the tree. What they didn't know
Was that the goat's head would go on singing, just for them,
Long after the ropes were down, and that they would learn to listen,
Pail after pail, stroke after patient stroke. They would
Wake in the night thinking they heard the wind in the trees
Or a night bird, but their hearts beating harder. There
Would be a whistle, a hum, a high murmur, and, at last, a song,
The low song a lost boy sings remembering his mother's call.
Not a cruel song, no, no, not cruel at all. This song
Is sweet. It is sweet. The heart dies of this sweetness.
spiff and i having a moment
this is seriously like the best idea for a blog ever.
(Source: cuteboyswithcats)
Once the house is built,
The skeleton frame no longer visible but
Hidden under fleshy mammalian walls,
Once a new shiny key is warming from the heat of
Your body through the denim of your well-worn jeans,
The land is no longer mine.
Hammer nails into four-by-fours
Sculpt your shelter from the ground up,
The grassy ground my feet flattened paths through
When they had everywhere to go and nowhere to be,
The ground where wildflowers grew and it was
Quiet enough to hear the wings of sparrows beat in flight
Level the hill and tear down the trees I sat under on
Hundred degree days when I thought I was in love,
Cover the grass and dirt that crunched when
My friend and I walked through on a frosty winter night,
When we just stood in silence surrounded by noir and
Beyond the reach of streetlights
You will do as what you want with my field,
But before you put the roof on your house
Tilt your head up and promise to remember
that your textured white ceiling and the
familiar tungsten haze are nothing
Compared to the night sky and the pearl-like moon
Hand movements by Riccardo Chailly leading the Concertgebouw Orchestra playing the Symphony No. 4 Mahler’s Carnegie Hall, February 10, 2000
(Source: mythologyofblue)
Submitted by badmaths
…WHILE SIMULTANEOUSLY GETTING ABDUCTED BY ALIENS…I THINK.